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Issues : GE revisions
b. 22
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the naturals raising d category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 23
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composition: Op. 21, Concerto in F minor, Mvt II
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It is difficult to say what the motivation of the engraver of GE1 (→FE→EE) was while he overlooked four very distinct long accents of A. He may have considered them to be superfluous in the face of the accents of the R.H. In GE2 the accents were reproduced as short. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in GE , GE revisions |
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b. 23
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composition: Op. 21, Concerto in F minor, Mvt II
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The slurs of A are unclear in the 2nd group of semiquavers: when interpreted literally, the first embraces the first two notes while the second the last three. A comparison with adjacent, analogically structured figures unambiguously shows that it is the second slur that starts inaccurately (too late). In GE1 (→FE→EE) a less likely interpretation was adopted, in which each slur embraces three notes. In GE2 two slurs were replaced with one (cf. the 1st note in this bar). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 24
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text, we give two half-bar slurs over the notes, written in A. In GE (→FE→EE) each of them was divided into two parts in the places of division of the semiquaver beams of the part of the R.H. It is certainly an arbitrary change performed by the engraver. category imprint: Differences between sources issues: GE revisions |
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b. 25
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composition: Op. 21, Concerto in F minor, Mvt II
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The chord written in A, although acceptable from the harmonic point of view, is almost certainly erroneous due to its sonically unjustified piano complication. However, it remains unclear which chord Chopin meant:
In any case, the proofreading of GE1 (→FE→EE), probably coming from Chopin, must be considered to be the final decision and this is the version we give in the main text. category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , GE revisions , Errors of A , Authentic corrections of GE , Partial corrections |