Page: 
Source: 
p. 4, b. 65-85
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 83-84

Initially, Chopin wrote the part of the L.H. in A one octave too high. He also committed a mistake at the time of writing the part of the R.H. – he overlooked the a1-a2 octave and noticed the error only when he was writing the fourth consecutive erroneous octave. After adding the correct notes, the erroneous ones remained not deleted, yet in spite of that the engraver correctly understood the notation and the text of FE (→GE,EE) is correct. 

Compare the passage in the sources »

category imprint: Corrections & alterations

issues: Corrections in A, Partial corrections

notation: Pitch

Missing markers on sources: FE1, FE2, FED, FES, FEJ, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1