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b. 7-9
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composition: Op. 21, Concerto in F minor, Mvt II
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Characteristic synchronisation signs of the parts of both hands, in the form of lines combining the notes that are supposed to be played simultaneously, were added next to the groups of small notes in bars 7 and 9 in FED. Similarly in bars 26 and 75. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
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b. 7
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composition: Op. 21, Concerto in F minor, Mvt II
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The change of the beam of the group of grace notes is probably an arbitrary decision of the engraver of GE1 (→FE→EE): cf. analogous bar 26 and bar 75. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 7
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composition: Op. 21, Concerto in F minor, Mvt II
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The fingering above the trill, written in FED most probably by Chopin, is a simplified notation, generally indicating the fingers with which the trill is to be played. It absolutely does not mean that the e category imprint: Graphic ambiguousness; Differences between sources |
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b. 7-8
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the vast majority of the beginnings of the slurs in the L.H., both in the figures embracing the whole bar and in the half-bar ones, does not include the bass note, usually provided with a staccato dot. Despite the fact that Chopin would not always put them precisely (e.g., a slur in bar 8), their systematical reproduction in GE1 (→FE→EE) as whole- or half-bar rather does not correspond to his intention (cf. the characterization of GE1), which was noticed in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
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b. 7-17
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the presence of staccato dots over the bass notes in all figures of this type, both whole-bar (bars 7-8) and half-bar (bars 9-13, 15 and 17) is beyond any doubts, although one is missing (the second in bar 9, over B category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
3 note is to be repeated after d3 at the beginning of the trill. One can see another sign in this copy, which may be a fingering digit: the dash under the first d3 grace note may be considered a one. However, such an interpretation carries a risk of uncertainty, therefore, we do not include it in the main text.
