Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt II
In A the presence of staccato dots over the bass notes in all figures of this type, both whole-bar (bars 7-8) and half-bar (bars 9-13, 15 and 17) is beyond any doubts, although one is missing (the second in bar 9, over B
) and two other are placed over the notes that were deleted in the original version (the first in bars 10 and 15). In GE1 (→FE) the majority of them were omitted (only the dots in bars 8, 11-12 and 17 remained). EE and GE2 include versions close to the main text: in EE only the first dot in bar 13 is missing, while in GE2 – the one in bar 15.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Inaccuracies in GE, GE revisions
notation: Articulation, Accents, Hairpins
