![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in A
- « Previous
- 1
- 2
- 3
- Next »
b. 42
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In A there is no category imprint: Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
|||||||
b. 45
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The sign of pedal release, written in A (→GE1) contrary to the rules of harmonic pedalling, generally used by Chopin, may be inaccurate. Therefore, in the main text we give the sign on the basis of FE. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , GE revisions , Inaccuracies in A |
|||||||
b. 74
|
composition: Op. 21, Concerto in F minor, Mvt II
..
GE (→FE→EE) overlooked the dashes determining the range of diminuendo, which was rather a rule than an exception in the Concerto. The doubt about the placement of the rallentando indication, caused by a deletion in A, is of greater importance – it does begin after the 3rd beat of the bar, but also before the last beat. In the editions the first relation was included, yet in the main text we consider the second to be closer to Chopin's intention. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Corrections in A , Errors resulting from corrections , Inaccuracies in A |
|||||||
b. 88
|
composition: Op. 21, Concerto in F minor, Mvt II
..
No pedalling on the 4th beat of the bar is most probably a result of Chopin's distraction – the notation of pedalling stops in A on the category imprint: Differences between sources issues: GE revisions , No pedal release mark , Inaccuracies in A |
- « Previous
- 1
- 2
- 3
- Next »