Issues : GE revisions
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b. 7
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composition: Op. 21, Concerto in F minor, Mvt II
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The change of the beam of the group of grace notes is probably an arbitrary decision of the engraver of GE1 (→FE→EE): cf. analogous bar 26 and bar 75. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 7-17
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the presence of staccato dots over the bass notes in all figures of this type, both whole-bar (bars 7-8) and half-bar (bars 9-13, 15 and 17) is beyond any doubts, although one is missing (the second in bar 9, over B category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 8
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composition: Op. 21, Concerto in F minor, Mvt II
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In the part of the R.H. it is only GE2 that does not contain a rhythmic error. The version, however, resulted from a revision and it certainly does not correspond to Chopin's intention. For the remaining sources (except for EE3), we adopt an interpretation compatible with the way the R.H. is planned with respect to the quavers in the L.H. As the text of EE3 we adopt the rhythm that, according to us, predominates at the time of interpreting the easiest perceptible elements of the rhythm: a crotchet, an extended crotchet and a group of semiquavers with a triplet inside. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Rhythmic errors , Errors of A |
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b. 9-17
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composition: Op. 21, Concerto in F minor, Mvt II
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The slurs of A in bars 9-11 and 17 (the first), although some of them are written inaccurately (e.g., in bar 9), begin from the 2nd quaver of each half of the bar. In GE1 it is only the slurs in bar 11 that were reproduced in such a way. In FE (→EE) it is the only correct slurs that were considered inaccurate, leading all signs from the 1st quaver. The slurs of A were interpreted correctly only in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 10
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composition: Op. 21, Concerto in F minor, Mvt II
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In A (→GE1→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions , Inaccuracies in A |
) and two other are placed over the notes that were deleted in the original version (the first in bars 10 and 15). In 
lowering f to f