Issues : Corrections in A
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b. 42-44
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composition: Op. 21, Concerto in F minor, Mvt II
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The slurring of the R.H. in A is inaccurate and unclear:
The slurs of A in bar 42 were overlooked in GE1 (→FE→EE); however, in EE parallel slurs on the last beat of the bar were added (it is most probably an editorial revision). In turn, the slur over the demisemiquavers in bar 43 could have been added in GE by Chopin; its beginning is certainly inaccurate, which was corrected in FE (→EE) and GE2. We include the slur, in the version of FE, in the main text, being, apart from that, an interpretation of the slurs of A. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: EE revisions , Inaccurate slurs in A , Corrections in A , GE revisions , Authentic corrections of GE , FE revisions |
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b. 43
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composition: Op. 21, Concerto in F minor, Mvt II
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Chopin deleted the appassionato indication over the group of demisemiquavers in A, keeping it for the entrance of the theme in bar 45. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 54-55
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text, we include the layout of the sempre più stretto indication visible in A, in which Chopin corrected the placement of this marking. In subsequent editions, spaces between the words were removed; moreover, all of them overlooked also the dashes combining particular words. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Corrections in A , GE revisions |
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b. 56
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composition: Op. 21, Concerto in F minor, Mvt II
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In A, over the accented c4 and the initial section of the group of demisemiquavers, there is a visible deletion of the appassionato indication. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 58
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composition: Op. 21, Concerto in F minor, Mvt II
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In the part of the R.H. one can see in A a correction of the rhythmic notation on the 2nd beat of the bar – the 2nd and 3rd notes of the triplet had a semiquaver beam, whose top line was erased afterwards. The changes most probably spanned the entire 1st half of the bar, originally consisting of a dotted crotchet and two semiquavers, which Chopin skillfully corrected, avoiding, so far as possible, deletions and erasures. category imprint: Corrections & alterations issues: Corrections in A |
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