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Ornaments
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b. 63
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composition: Op. 21, Concerto in F minor, Mvt II
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We preserve the double flats written in A over the category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 77
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we preserve the range of the arpeggio wavy line visible in A and confirmed with its interpretation in GE. The longer sign in FE does not seem to be corrected in print, but the version can be regarded as equal – when writing the wavy line in A, Chopin may have not noticed that when he was writing the top part of the sign, there was a temporary shortage of ink. In turn, the placement of the arpeggio in EE is certainly arbitrary. category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies |
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b. 85
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composition: Op. 21, Concerto in F minor, Mvt II
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Both authentic notations of the ornament – A and FE (→EE) – mean the same performance. The mistake of GE1 originated from an unrecognised arpeggio sign in the vertical slur, which, at that period of Chopin's life, would increasingly replace the more accurately written signs in the form of a wavy line. The way the slur was added in GE2 caused that the proper sense of the Chopin notation was still not conveyed in this edition. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , GE revisions , Authentic corrections of FE |
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