Issues : GE revisions
|
b. 53
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In the R.H. A has a continuing slur, whereas in the L.H. it starts a new one, which may be regarded as justified concerning the absence of a slur in the L.H. in the previous bar. In the main text, we homogenise the slurring of both hands in accordance with the analysis carried out in that bar. If the version with harmonic accompaniment was chosen in the note below, one of the versions with a slur only in the R.H. is to be selected here. category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A , GE revisions |
||||||||||||||||||||
|
b. 53
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The notation of the accents in the 1st half of the bar is not entirely clear. In A the first accent has arms of different length, so that it is uncertain whether a long or short sign is to be considered here. The analogy with similar motifs at the beginning of bars 48-49 and 54-55 encourage us to consider it a long accent (our main text). On the other hand, none of the aforementioned bars includes an accent on the 2nd beat, which undermines the power of this analogy. If the version with harmonic accompaniment was chosen in the previous note, one of the versions without accents for the L.H. (second or sixth) is to be selected here. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
||||||||||||||||||||
|
b. 54
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In A (→GE1→FE) there are cautionary flats before the 2nd demisemiquaver. The superfluous in this context signs were removed in EE and GE2. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
||||||||||||||||||||
|
b. 54-55
|
composition: Op. 21, Concerto in F minor, Mvt II
..
On the last beat of bar 54, the slurs in A embrace the first 7 demisemiquavers only. The editions embraced 8 notes with them (in GE1 in the L.H. the slur erroneously embraces the entire figure and in FE the slur in bar 55 was shortened accordingly). In this case, the inaccuracy is understandable, particularly with regard to the slur of the R.H. that ends between g If in bar 53 the version with harmonic accompaniment was chosen, one of the versions with slurs only in the R.H. is to be selected here. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccurate slurs in A , Errors in GE , GE revisions , FE revisions |
||||||||||||||||||||
|
b. 54-55
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In the main text, we include the layout of the sempre più stretto indication visible in A, in which Chopin corrected the placement of this marking. In subsequent editions, spaces between the words were removed; moreover, all of them overlooked also the dashes combining particular words. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Corrections in A , GE revisions |
2 and a
