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b. 80
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we give the version of FE (→EE1), proofread by Chopin. The version of A (→GE) may be used as a variant for a smaller hand. EE2 (→EE3) introduced the earlier version, most probably on the basis of comparison with GE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt II
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The double use of the 1st finger was written in FED by Chopin and then again by the pupil. category imprint: Differences between sources |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt II
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The missing dot over the last note in the bar in A seems to be an inaccuracy – perhaps ink did not come at the last sign. The dot was added already in GE1, which – although Chopin's proofreading cannot be excluded – was probably a routine action of the engraver (cf. bar 76). category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of GE |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt II
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The missing small slurs next to both grace notes in this bar is almost certainly an oversight of the engraver of GE1 (→FE→EE). The signs were added in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt II
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The overlooked staccato dot in the majority of the editions is most probably a result of an oversight of the engraver of GE1. The sign in GE2 was added after A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
