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b. 166
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 166
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources |
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b. 167
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composition: Op. 21, Concerto in F minor, Mvt I
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Differently than in analogous bars 161-166 and 168, in GE both slurs begin from the 2nd quaver in the group. It is almost certainly a result of proofreading – probably a Chopin one – since the slurs of A, particularly the second one, are exceptionally inaccurate here. The difference in slurring was not included in FE (→EE), which may be explained by distraction or a unifying revision. It is also possible that the slurs in GE1 were changed in the last phase of proofreading, already after the copies had been sent to Paris. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , Authentic corrections of GE , FE revisions |
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b. 168
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composition: Op. 21, Concerto in F minor, Mvt I
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The natural before the 2nd quaver in the L.H. (d), overlooked in A (→GE1→FE), was added in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 169-170
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composition: Op. 21, Concerto in F minor, Mvt I
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The flats restoring e category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors in GE , Errors of A , Authentic corrections of FE |
at the beginning of the 2nd half of the bar are missing in both bars in