mUltimate Chopin

Op. 21, Concerto in F minor, Mvt I

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b. 107-108

composition: Op. 21, Concerto in F minor, Mvt I

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In A (→GE1→FE→EE1→EE2) there is neither a  returning a2 in bar 107 nor a cautionary  before e3 in bar 108. In GE2 only the first was added and in EE3 – only the second.
In analogous bars 105-106, Chopin wrote in A both signs, which suggests that at the time of writing a repeating phrase, the composer's concentration broke (cf. bar 107). It increases the likelihood of oversights of ties at the end of bar 108.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 108-109

composition: Op. 21, Concerto in F minor, Mvt I

b2 repeated in A (→GE)

b2 tied in FE (→EE)
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The tie of b2, added in the proofreading of FE (→EE), most probably by Chopin, is, according to us, a correction of the oversight of A (→GE) and not a change of the performance's concept. See the note on the L.H.

category imprint: Differences between sources; Corrections & alterations

issues: Errors of A , Authentic corrections of FE

b. 108-109

composition: Op. 21, Concerto in F minor, Mvt I

c1 repeated in sources

c1 tied suggested by the editors
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The missing tie of c2 is most probably Chopin's oversight – a corresponding tie is in analogous bars 106-107. See also the note on sustaining b2 in the R.H. as well as bars 107-108. 

category imprint: Editorial revisions

issues: Errors of A

b. 109-110

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
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category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 109

composition: Op. 21, Concerto in F minor, Mvt I

Fingering written into FED

No teaching fingering
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category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED