



b. 101
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In the main text we give the fingering written in FED in an analogous situation in bar 102 – cf. General Editorial Principles, p. 17. category imprint: Editorial revisions |
||||||||||||
b. 101
|
composition: Op. 21, Concerto in F minor, Mvt I
..
See the adjacent note. category imprint: Editorial revisions |
||||||||||||
b. 101-103
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The missing dashes marking the range of cresc. is a typical inaccuracy of GE1 (→FE→EE). The dashes were added in GE2, leading them – differently than in A – to category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE |
||||||||||||
b. 101-103
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The notation of accidentals in the figurations in these bars is both refined and inaccurate in A. Chopin took care of the cautionary signs (naturals before the topmost c2, c3 and c4 notes and flats before d
In the main text we give all necessary signs and we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
||||||||||||
b. 102
|
composition: Op. 21, Concerto in F minor, Mvt I
..
FED includes the fingering coming from a lesson with Chopin. In the main text we include it in an analogous figure a bar earlier. category imprint: Differences between sources |