Slurs
b. 276-278
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composition: Op. 21, Concerto in F minor, Mvt I
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In A bar 277 is the last one on the page and it does not contain phrase marks. In turn, in bar 278 there is a slur suggesting a continuation from the previous bar. Therefore, it seems that Chopin forgot to write the initial part of the slur, most probably of the one with which he embraced that phrase in bars 128-130. This is the slur we suggest in the main text. In GE, next to the slur in bar 278, roughly reproduced, a slur of a similar range was added also in bar 277. If the implemented proofreading had been inspired by Chopin, which cannot be excluded, it would be a correction of an ad hoc nature rather than an intended variation of phrasing. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccurate slurs in A , EE inaccuracies , Authentic corrections of GE |
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b. 278-279
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs of GE (→FE→EE) could have been added by Chopin; however, according to us, it is highly unlikely due to their schematic range, whose relationship with the figuration's structure is largely unconvincing. category imprint: Differences between sources issues: GE revisions |
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b. 280
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of A seems to be inaccurate – in this context it is difficult to assume that e1 were to be separated from the previous quavers (cf. analogous bar 132). Therefore, the version of GE may be a result of Chopin's proofreading. category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of GE |
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b. 280-281
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the slurs of A (and GE2), certainly the only authentic ones – cf. the corresponding place in the exposition, with identical slurs in all sources. The slurs of GE1 are inaccurate here, whereas in FE (→EE) the first of them was omitted on top of that. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , GE revisions |
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b. 282-283
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composition: Op. 21, Concerto in F minor, Mvt I
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The well thought out moment of division of the slur was very carefully marked in A (there are visible traces of a correction). In spite of this, in GE1 (→FE→EE) the slurs were adjusted to bars. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors in GE , GE revisions |