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Issues : Inaccuracies in A
b. 99-100
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composition: Op. 21, Concerto in F minor, Mvt I
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In these bars, in the part of the R.H. A has only one category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , Errors in GE , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 101-103
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composition: Op. 21, Concerto in F minor, Mvt I
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The notation of accidentals in the figurations in these bars is both refined and inaccurate in A. Chopin took care of the cautionary signs (naturals before the topmost c2, c3 and c4 notes and flats before d
In the main text we give all necessary signs and we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Cautionary accidentals , Omission of current key accidentals , Inaccuracies in A |
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b. 109
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composition: Op. 21, Concerto in F minor, Mvt I
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GE has an additional note, c1, in the crotchet chord. The notation of A may be misleading here, yet Chopin's having deleted the note in the proofreading of FE (→EE1) is decisive. In EE2 (→EE3) the note was added under the influence of GE1. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Errors in GE , Authentic corrections of FE , Uncertain notes on ledger lines , Inaccuracies in A |
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b. 113
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composition: Op. 21, Concerto in F minor, Mvt I
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In A a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A |
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b. 130
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composition: Op. 21, Concerto in F minor, Mvt I
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The interpretation of the long accent written in A presents difficulties: the sign is written in such a way that it can refer either to the minim in the R.H. or to f1 in the L.H. (a similar problem appears in the recapitulation, bar 278). According to us, it is more likely that Chopin wanted to draw attention to the chromatic transition of the tenor voice: f1-f category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in A |