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Articulation, Accents, Hairpins

b. 301

composition: Op. 21, Concerto in F minor, Mvt I

No sign in sources

 suggested by the editors

..

In the main text we suggest adding a  sign after bars 303 and 305 – cf. analogous bars 151-155.

category imprint: Editorial revisions

b. 301

composition: Op. 21, Concerto in F minor, Mvt I

Accent in A & GE2

No mark in GE1 (→FEEE)

..

Omitting the 1st accent is a mistake of GE1 (→FEEE).

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 301-307

composition: Op. 21, Concerto in F minor, Mvt I

Short accents in A (→GEFE)

Vertical accents in #E

..

The use of vertical accents in bars 301, 303, 305 and 307 is a typical discretion of EE. Similarly in bars 302 and 304.

category imprint: Differences between sources

issues: EE revisions

b. 302-304

composition: Op. 21, Concerto in F minor, Mvt I

Long accents in A

Short accents in GE (→FE)

Vertical accents in EE

..

The evident long accents in A in the middle of bars 302 and 304 were reproduced in GE (→FE) as short ones, whereas in EE they were changed to vertical. It is certain that none of the changes comes from Chopin.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE

b. 302-305

composition: Op. 21, Concerto in F minor, Mvt I

Wedges in A

Dots in GE (→FEEE)

..

The quavers opening these bars are provided with clear wedges in A. Reproducing them as staccato dots is a very frequent inaccuracy of GE (→FEEE).

category imprint: Differences between sources

issues: Inaccuracies in GE , Wedges