Articulation, Accents, Hairpins
b. 301
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we suggest adding a sign after bars 303 and 305 – cf. analogous bars 151-155. category imprint: Editorial revisions |
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b. 301
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composition: Op. 21, Concerto in F minor, Mvt I
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category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 301-307
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composition: Op. 21, Concerto in F minor, Mvt I
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The use of vertical accents in bars 301, 303, 305 and 307 is a typical discretion of EE. Similarly in bars 302 and 304. category imprint: Differences between sources issues: EE revisions |
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b. 302-304
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composition: Op. 21, Concerto in F minor, Mvt I
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The evident long accents in A in the middle of bars 302 and 304 were reproduced in GE (→FE) as short ones, whereas in EE they were changed to vertical. It is certain that none of the changes comes from Chopin. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE |
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b. 302-305
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composition: Op. 21, Concerto in F minor, Mvt I
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The quavers opening these bars are provided with clear wedges in A. Reproducing them as staccato dots is a very frequent inaccuracy of GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |