Articulation, Accents, Hairpins
b. 265-266
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composition: Op. 21, Concerto in F minor, Mvt I
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There are neither traces of removal nor reasons to remove the accents in the proofreading of GE1, hence their absence is most probably an oversight. The signs were restored in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 271
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composition: Op. 21, Concerto in F minor, Mvt I
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category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 271
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composition: Op. 21, Concerto in F minor, Mvt I
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The hairpin is poorly visible in A from under the poco ritenuto indication. The engraver of GE1 (as well as the reviser of GE2) could have not noticed it or even considered that the indication had been written with an intention to replace (cross out) the sign. category imprint: Differences between sources issues: Errors in GE |
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b. 272
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the long accent present in A was overlooked. The accent was restored in GE2 but as a short one. category imprint: Differences between sources issues: Long accents , Errors in GE , GE revisions |
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b. 273
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Errors in GE , GE revisions |