Slurs
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b. 142
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur was added in the proofreading of FE (→EE) almost certainly by Chopin (together with a staccato dot above E category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 142-143
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composition: Op. 21, Concerto in F minor, Mvt I
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The inaccurate slur of A, when interpreted literally, embraces only the group of small quavers and c2. However, the shape of the slur clearly suggests that it is supposed to reach b category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 143
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 145
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composition: Op. 21, Concerto in F minor, Mvt I
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The starting point of the slur in the L.H. in the 1st half of the bar is unclear in A, since it partially blends in with the con forza indication. We assume that the slur runs from the 2nd quaver, since such slurs are present in bars 241-246, based on a similar texture, as well as in bar 32 and 81 in the 2nd movement of the Concerto. The version of the majority of editions may, however, be considered an equal interpretation. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccurate slurs in A , GE revisions |
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b. 145
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur in the 2nd half of the bar, added in GE2 and EE is certainly arbitrary, although the analogy with the 1st half of the bar certainly encourages an addition. However, it is puzzling that the reviser of EE added a slur from the 2nd quaver, although in the 1st half of the bar EE has a slur from the 1st quaver. category imprint: Differences between sources issues: EE revisions , GE revisions |
). Taking into account a possibility of an erroneous interpretation of the Chopin entry, we suggest an alternative solution with a slur from the 2nd quaver in the bar. Cf. 
