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b. 53-54
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur of A, although it does not exceed the bar line, undoubtedly concerns the three notes, hence the interpretation of the editions is certainly erroneous. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A |
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b. 54
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before d category imprint: Editorial revisions |
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b. 55-56
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composition: Op. 21, Concerto in F minor, Mvt I
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Starting from bar 51, the part of the L.H. is provided with slurs, even there where a slur of the R.H. can be considered to be applying to both hands (bars 54-55 and particularly bars 56-57). In this situation, we regard leaving it without slur in bars 55-56 as an inaccuracy, which may suggest the use of other articulation than legato in the bass, which would most probably be against Chopin's intention – cf. the slur in the bassoon part in Morch. category imprint: Editorial revisions |
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b. 55-56
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur in GE1 reaches only to the bar line. The inaccuracy was not repeated in any other edition. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , FE revisions |
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b. 56-57
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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