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b. 341

composition: Op. 21, Concerto in F minor, Mvt I

No markings in A (→GE)

  in FE (→EE)

( ) suggested by the editors

..

Both dynamic indications –  and  – were added in the proofreading of FE (→EE), undoubtedly by Chopin. They can be regarded as a completion of the indications of A, but it also seems possible that one can handle this bar with less contrast, which is suggested by the notation of A (→GE). Therefore, we leave their inclusion to the discretion of the performer. 

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 341

composition: Op. 21, Concerto in F minor, Mvt I

..

Chopin added the  hairpin – together with  – in the proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 344

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add a cautionary  before a1.

category imprint: Editorial revisions

b. 344

composition: Op. 21, Concerto in F minor, Mvt I

f1 in A (→GE)

a-f1 in FE (→EE), contextual interpretation

..

The addition of a in the proofreading of FE (→EE) is undoubtedly a Chopin improvement (it can be that Chopin corrected his own oversight in A). There is no extending dot next to this note, which, regardless of the reason, has to be considered an inaccuracy in this context.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Inaccuracies in FE , Authentic corrections of FE

b. 345

composition: Op. 21, Concerto in F minor, Mvt I

Long accent in A & GE2

No mark in GE1 (→FEEE)

..

The accent, most probably overlooked in GE1 (→FEEE), was restored in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions