b. 325-327
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composition: Op. 21, Concerto in F minor, Mvt I
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In A bar 325 is the last one on the page. The slur in the L.H. clearly suggests a continuation (similarly as the slur in the R.H.), which, however, is absent on a new page (in bar 326). In GE1 (→FE→EE) the slur was completely overlooked, whereas in GE2 the slur of A together with the overlooked ending was restored. Since this is how Chopin's intention undoubtedly looked like, in this case in the main text we include the slur of GE2. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Errors in GE , GE revisions |
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b. 326-327
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composition: Op. 21, Concerto in F minor, Mvt I
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When interpreted literally, the slur of A does not exceed bar 326. However, its shape suggests leading it to the beginning of bar 327, which is confirmed by the corrected – most probably by Chopin – slur of GE (→FE→EE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 327
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composition: Op. 21, Concerto in F minor, Mvt I
category imprint: Differences between sources issues: GE revisions |
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b. 327
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composition: Op. 21, Concerto in F minor, Mvt I
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Two cautionary signs were added in EE – a before e1 and a before g1. In the main text we include the latter; moreover, we add a before b. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 328
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no lowering g2 to g2 before the 8th semiquaver. Chopin's patent oversight was corrected already in GE1. In such a situation, a should be added before g3, appearing three semiquavers later at the same pitch, which was not done until in FE (→EE) and GE2. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Inaccuracies in A |