Issues : Inaccuracies in A

b. 321

composition: Op. 21, Concerto in F minor, Mvt I

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In A (→GE) there are no accidentals in the last group of semiquavers. In the proofreading of FE (→EE) two flats were added, probably indicated by Chopin, a cautionary before A and a necessary one before G.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Errors in GE , Cautionary accidentals , Authentic corrections of FE , Inaccuracies in A

b. 328

composition: Op. 21, Concerto in F minor, Mvt I

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In A there is no  lowering g2 to gbefore the 8th semiquaver. Chopin's patent oversight was corrected already in GE1. In such a situation, a  should be added before g3, appearing three semiquavers later at the same pitch, which was not done until in FE (→EE) and GE2.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Authentic corrections of FE , Authentic corrections of GE , Inaccuracies in A

b. 329

composition: Op. 21, Concerto in F minor, Mvt I

 in A, literal reading

 in GE (→FEEE)

 in A, contextual interpretation

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According to us, the  indication is to be interpreted as valid already from the beginning of the bar. It is one of examples of the manner of introducing indications within the scope of their validity, used sometimes by Chopin, particularly in his earlier works. In GE (→FEEE was most probably linked with the entrance of the L.H.  

category imprint: Differences between sources

issues: Inaccuracies in GE , Centrally placed marks , Inaccuracies in A