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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 142

composition: Op. 21, Concerto in F minor, Mvt I

No mark in A (→GE)

Staccato dot in FE (→EE)

..

The staccato dot over the 1st quaver in the L.H. was added in the proofreading of FE (→EE), most probably by Chopin.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 143

composition: Op. 21, Concerto in F minor, Mvt I

Long accet in A (→GE1)

No mark in FE (→EE)

 in GE2

..

The missing accent in FE (→EE) is most probably an oversight. In GE2, the long accent, quite accurately reproduced in GE1, was changed to a much longer  hairpin.

category imprint: Differences between sources

issues: Errors in FE

b. 144

composition: Op. 21, Concerto in F minor, Mvt I

Long accent in A

 in GE (→FEEE)

..

Even if we consider the sign of A to be , the editions reproduced it inaccurately, extending it until the 4th quaver. However, the sign in A is almost certainly a long accent – cf. a sign of the same length on the last crotchet as well as a number of others, e.g. in bars 118-120, 125, 133.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , Inaccuracies in GE

b. 145-146

composition: Op. 21, Concerto in F minor, Mvt I

2 staccato dots in A

No marks in GE1 (→FEEE)

1 dot in GE2

..

The overlooked staccato dots over in bar 145 and A in bar 146 are certainly a mistake of GE1 (→FEEE). GE2 added only the dot in bar 145.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 151-153

composition: Op. 21, Concerto in F minor, Mvt I

2 long accents in A

No marks in GE1 (→FEEE)

2 short accents in GE2

..

The long accents at the beginning of the semiquaver passages in bars 151 and 153, overlooked in GE1 (→FEEE), were restored in GE2 as short accents.

category imprint: Differences between sources

issues: Errors in GE , GE revisions