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Op. 21, Concerto in F minor, Mvt I

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 139

composition: Op. 21, Concerto in F minor, Mvt I

Staccato dots in A (→GE)

No marks in FE (→EE)
..

The missing staccato dots in the 2nd half of the bar is one of numerous errors of FE in this bar.

category imprint: Differences between sources

issues: Errors in FE

b. 140

composition: Op. 21, Concerto in F minor, Mvt I

11 dots in A

16 dots in GE

15 dots in FE (→EE)
..

Generalising staccato dots to all semiquavers is almost certainly an arbitrary decision of GE (→FE→EE). It is proved by the original slurring of A in which the slur embraced only three groups of semiquavers: the ones with dots. According to us, it points to interconnected indications, which is quite frequent in Chopin's works; in this way, Chopin would indicate a milder or more delicate articulation than the common staccato. At the same time, the original slur confirms that according to Chopin's intention, the described performance manner concerned only 11 notes.

category imprint: Differences between sources

issues: GE revisions

b. 140

composition: Op. 21, Concerto in F minor, Mvt I

 to b2 in A

Whole-bar  in GE (→FE→EE)
..

Extending the  hairpin into an entire bar is an example of a characteristic manner of the engraver of GE1. The sign in A leads to the topmost note in this bar and not to the beginning of the next one; similarly in analogous bar 288.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 141-142

composition: Op. 21, Concerto in F minor, Mvt I

Different accents in A (→GE→FE)

Short accents in EE
..

EE unified the font of the accents in these bars, by arbitrarily changing two long accents in bar 142 and the vertical accent in bar 143 to common, short accents. It is particularly strange in the case of the vertical accent, since it was the signs with which EE would eagerly replace Chopin short or long accents.

category imprint: Differences between sources

issues: Long accents , EE revisions

b. 141

composition: Op. 21, Concerto in F minor, Mvt I

6 dots in A & GE2

No marks in GE1

2 dots in FE (→EE)
..

All staccato dots in the part of the L.H. were overlooked in GE1. When proofreading FE (→EE), Chopin added signs only next to bass notes, which we consider his final decision. Analogous bar 289, whose regular notation of the part of the R.H. seems to be more mature, includes dots in the L.H. only under E and D.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in GE , Authentic corrections of FE