b. 191
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are visible traces of deletion of the e1 note from the 3rd crotchet in the R.H. It is possible that c1 was added instead of the deleted note. category imprint: Corrections & alterations issues: Corrections in A |
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b. 192
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there are no naturals raising B1 to B1 and d2 to d2. The first of them was added already in GE1 (→FE→EE), the second one – only in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Inaccuracies in A |
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b. 192
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composition: Op. 21, Concerto in F minor, Mvt I
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The omission of in FE (→EE) could have been a result of Chopin's proofreading and it was almost certainly accepted by him. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 192-194
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs of A (our main text), showing precisely the phrasing of the melody in the topmost voice, was replaced in GE1 with slurs embracing entire bars. It is a characteristic example of a schematic and disrespectful approach of the engraver of this edition to Chopin slurs. The authentic slurs (except for the ending of the slur in bar 194) were restored in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 193-194
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the octaves in the L.H. are written in an abbreviated manner with single notes with the following annotation: con 8 - -. category imprint: Source & stylistic information issues: GE revisions , Abbreviated octaves' notation |