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b. 191

composition: Op. 21, Concerto in F minor, Mvt I

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In A there are visible traces of deletion of the enote from the 3rd crotchet in the R.H. It is possible that cwas added instead of the deleted note.

category imprint: Corrections & alterations

issues: Corrections in A

b. 192

composition: Op. 21, Concerto in F minor, Mvt I

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In A there are no naturals raising B1 to B1 and d2 to d2. The first of them was added already in GE1 (→FEEE), the second one – only in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Inaccuracies in A

b. 192

composition: Op. 21, Concerto in F minor, Mvt I

in A & GE2

No marking in FE (→EE)

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The omission of  in FE (→EE) could have been a result of Chopin's proofreading and it was almost certainly accepted by him.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

b. 192-194

composition: Op. 21, Concerto in F minor, Mvt I

Slur in bars 192-194 in A & GE2

Slur in bar 193 in GE1 (→FEEE)

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The slurs of A (our main text), showing precisely the phrasing of the melody in the topmost voice, was replaced in GE1 with slurs embracing entire bars. It is a characteristic example of a schematic and disrespectful approach of the engraver of this edition to Chopin slurs. The authentic slurs (except for the ending of the slur in bar 194) were restored in GE2.  

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 193-194

composition: Op. 21, Concerto in F minor, Mvt I

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In A the octaves in the L.H. are written in an abbreviated manner with single notes with the following annotation: con 8 - -.

category imprint: Source & stylistic information

issues: GE revisions , Abbreviated octaves' notation