mUltimate Chopin

Op. 21, Concerto in F minor, Mvt I

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b. 196

composition: Op. 21, Concerto in F minor, Mvt I

..

In the main text we add a cautionary  before e2.

category imprint: Editorial revisions

b. 197

composition: Op. 21, Concerto in F minor, Mvt I

in A (→GE)

in FE (→EE)
..

Replacing  with  is almost certainly a result of Chopin's proofreading in FE (→EE), hence in the main text we give the latter.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 197

composition: Op. 21, Concerto in F minor, Mvt I

..

In A there is neither a  raising d2 to d2 in the marked place nor a  restoring d2 five semiquavers later. Corresponding signs are in the parts of oboes and clarinets in Morch, which confirms an imposing suspicion of Chopin's mistake. The signs were added already in GE1 (→FE→EE, →GE2), in which one could see the composer's proofreading. In the main text we also add a cautionary  before b1; it is also in GE2.

category imprint: Interpretations within context; Differences between sources

issues: Omission of current key accidentals , Authentic corrections of GE

b. 198

composition: Op. 21, Concerto in F minor, Mvt I

..

In A there is no accidental before the 10th semiquaver. Chopin's patent oversight was corrected already in GE1 (→FE→EE, →GE2), by adding a  restoring b1.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , GE revisions , Errors of A

b. 198

composition: Op. 21, Concerto in F minor, Mvt I

..

In the sources the only cautionary sign in this bar is a  before d1 in the middle of the bar. In the main text we add three flats more before e1 (twice) and e2.

category imprint: Editorial revisions

issues: Cautionary accidentals