mUltimate Chopin

Op. 21, Concerto in F minor, Mvt I

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b. 299-300

composition: Op. 21, Concerto in F minor, Mvt I

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In A Chopin forgot to return the bass clef in bar 300. GE1 overlooked also the treble clef in bar 299. The mistakes were corrected – perhaps by Chopin – in FE (→EE). GE2 also includes the correct text.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions , Errors of A , Authentic corrections of FE

b. 299-300

composition: Op. 21, Concerto in F minor, Mvt I

Short accents in A (→GE→FE)

Vertical accents in EE
..

The change of the font of the accents in the R.H. in bars 299-300 is an example of a characteristic discretion of EE.

category imprint: Differences between sources

issues: EE revisions

b. 300

composition: Op. 21, Concerto in F minor, Mvt I

d1-g1 in A (→GE), EE & FED

f1-b1 in FE
..

Disruption of the regularity of the sequence of semiquavers in the version of FE is certainly a result of a mistake of the engraver, who instead of the correct notes repeated two previous ones (f1-b1). Chopin corrected it in FED. EE also includes the correct text, which proves the good intuition and courage of the reviser of this edition, since the mistake, no matter how obvious, when seeing the correct text of A (→GE), gives a version that is neither sonically striking nor pianistically inconvenient.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Terzverschreibung error

b. 300

composition: Op. 21, Concerto in F minor, Mvt I

5 slurs in A & GE2

1 slur in GE1 (→FE→EE)
..

It is difficult to say how the replacement of the slurs of A, natural in this context, with one whole-bar slur in GE1 (→FE→EE) occurred. One of the possibilities is Chopin's proofreading, but leaving accents on every second note results in the fact that the effect of the change of slurring is barely aurally perceptible. Therefore, in the main text we adopt the undoubtedly authentic slurs of A.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of GE

b. 300

composition: Op. 21, Concerto in F minor, Mvt I

Long accent in A

 in GE1

 in FE (→EE)

 in GE2
..

In the main text we give the long accent written in A as the only undoubtedly authentic sign. The  hairpin in GE1, perhaps added by Chopin, can be considered to be a potentially authentic, equal variant. The versions of the remaining editions are most probably a result of inaccuracies – as in the case of FE (→EE) – or revisions (GE2).

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Long accents , Inaccuracies in FE , Authentic corrections of GE