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b. 253-254
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composition: Op. 21, Concerto in F minor, Mvt I
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The inaccurate, ambiguous notation of GE1 – the slur in bar 253, the last one in line, indicates a continuation, yet it is not confirmed by the beginning of the slur in bar 254 – was interpreted in FE (→EE) as separated slurs. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 253-255
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composition: Op. 21, Concerto in F minor, Mvt I
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The slurs in the L.H., added in EE and GE2, cannot be authentic, since Chopin did not participate in the creation of those editions. The need to add slurs in the L.H. could have been provoked by the slurs added in GE1 in bar 256. category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 255
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composition: Op. 21, Concerto in F minor, Mvt I
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All minor differences in the range of this sign appearing in the editions are certainly of random nature. In this case, the sign certainly means a "very long" accent, hence shifts both in GE1 and GE2 distorted its sense. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 255-256
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composition: Op. 21, Concerto in F minor, Mvt I
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In GE1 (→FE→EE) the slur is broken between the bars, in spite of the clearly combined slurs of A. category imprint: Differences between sources issues: Corrections in A , GE revisions |
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b. 255
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composition: Op. 21, Concerto in F minor, Mvt I
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The fingering coming probably from Chopin – compatible with the authentic fingering of the Etude in G category imprint: Differences between sources |
from 1st third in 
minor, Op. 25 No. 6, bars