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b. 34-36
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The accents in these bars are in GE extended to form category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 36
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text, we add cautionary♭ before a category imprint: Editorial revisions |
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b. 37-38
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The accents under the minims of the middle voice of the R.H. are in GC (both) and FE (→EE) – only in bar 37. The missing signs were most probably overlooked as a result of an oversight or misunderstanding. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in GE |
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b. 37
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources issues: GE revisions , Rhythmic errors , Errors of GC , Errors repeated in GE |
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b. 37-39
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slur in bar 37 in FE reaches the end of line, suggesting a continuation, however, there is no slur in bar 38. It is certainly a mistake because the slur in [A] looked most probably as the one carefully written in GC. Possibly authentic is also the longer slur in EE – Chopin could have written it while proofreading the basis to this edition. category imprint: Differences between sources issues: Errors in FE , Uncertain slur continuation , Authentic corrections of EE |
in 
hairpins. This inaccuracy could have resulted from Chopin's placing them – in contrast to bars 25-32 – below the notes, apparently associating them with neighbouring 
signs. The sign in bar 35, omitted in 
2.
