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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In the main text we do not give the slur of GC, as the slur of the R.H. – with a different range – is valid in this context also in the L.H. category imprint: Differences between sources |
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b. 41
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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There is no reason to doubt the authenticity of the arpeggio and grace note in GC (the arpeggio is written as a slur, which, at this stage of life, was already a frequent way of writing this ornament by Chopin and this is how it was reproduced in GE). On the other hand, the version of FE, devoid of these elements, was not completed by Chopin neither in the proofreadings of FE nor in the base text to EE, which can prove its acceptance by the composer. Therefore, in the main text we suggest a variant solution. category imprint: Differences between sources; Editorial revisions; Corrections & alterations |
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b. 41-42
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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It is hard to determine which was Chopin's final intention, as far as the sustention of d category imprint: Differences between sources issues: EE revisions |
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b. 41
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The chord filling this bar has an erroneous value of a minim in GC. It may prove the copyist's having confused bars 41 and 42. The mistake was corrected already in GE1. category imprint: Differences between sources issues: GE revisions , Errors of GC |
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b. 43-46
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections in GC |