



b. 28
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In FE1 (→FE2) the top note of the last chord in the R.H. is a b category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
||||
b. 29
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
In all sources, a cautionary category imprint: Editorial revisions |
||||
b. 32
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The version of EE is most probably a mistake of the engraver, a so-called Terzverschreibung. FE, on which EE is based, features the correct chord: b category imprint: Differences between sources issues: Errors in EE , Terzverschreibung error |
||||
b. 33
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
The missing accent on the 2nd quaver must be considered an inaccuracy of notation (most probably Chopin's inadvertence in [A]). The accent is present in identical b. 35 as well as in a rhythmically analogous situation in each of the remaining bars of the section encompassing b. 25-36. category imprint: Editorial revisions |
||||
b. 34-36
|
composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |