Issues : EE revisions
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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The version of EE can be authentic; it should have been then considered to be a Chopin improvement. A possibility of Chopin intervention in this place is, however, reduced by the fact of leaving the mistakes in the part of the L.H. without correction – no naturals raising g category imprint: Differences between sources issues: EE revisions , Authentic corrections of EE |
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b. 42-43
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The natural before the 5th quaver in the L.H. in bar 42 (c1) was added only in GE2. There is no natural before the 1st quaver in bar 43 (d1) in FE (→EE1); Chopin added it in GC (→GE), which was repeated in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Authentic corrections in GC |
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b. 44
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In GC and FE (→EE1) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Cautionary accidentals , EE inaccuracies , Inaccuracies in GC |
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b. 46-49
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Separate slurs of the L.H., repeated after the authentic signs in the part of the R.H., are almost certainly an addition of the revision of EE. The addition is not necessary here, as in this type of texture, both the slurs and dots written over the R.H. are valid also in the L.H. category imprint: Differences between sources issues: EE revisions |
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b. 48-49
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The staccato dots for the L.H., repeated after the authentic signs in the part of the R.H., are almost certainly an addition of the revision of EE. category imprint: Differences between sources issues: EE revisions |
2 in 
before the top most note of the 3rd crotchet in the R.H. The patent inaccuracy was corrected in 
before g
1 in the L.H. was unnecessarily repeated. 
