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Issues : Authentic corrections of FE
b. 57
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The chord with c category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign , Errors of GC |
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b. 78-80
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The slur over the final motif is undoubtedly a Chopin addition in the proofreading of FE3 (→FE4) and in the base text to EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |
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b. 108
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The compatible versions of GC and FE1 (→FE2) prove that such a notation was also in [A]. Chopin's highly likely mistake, probably related to the introduction of an enhanced version of the transition to the next phrase (it may be supposed that bar 108 was originally a repetition of bar 107, same as in two previous similar phrases), is proved by awkward in this context parallel A category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: GE revisions , Errors of A , Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 110-114
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In GC and FE1 (→FE2→EE1), there are no accidentals before the 3rd crotchet in bars 110 and 114. It is certainly an oversight of Chopin in [A], corrected in FE3 (→FE4). The naturals were added also in GE (in GE1 only in the top voice) and EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign , Inaccuracies in GC |
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b. 118-120
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The version of FE1 (→FE2→EE1) is probably the original version, as it was initially written also in GC, in which it was corrected, probably by Chopin. Interestingly, in GC also the middle crotchets in the R.H. (from f1 to e category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic corrections of FE , Alterations in GC , Authentic corrections in GC , Annotations in FESch |