Pitch
b. 242
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Same as in bar 54, we include in the main text the sharps raising the f1-f2 grace note to f1-f2, added – most probably by Chopin – in the proofreading of FE3 (→FE4). The change was introduced also in EE2. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , Omission of current key accidentals , Authentic corrections of FE , Errors of GC |
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b. 244
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Overlooked naturals before the octaves in the L.H. – see bar 56. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , EE inaccuracies , FE revisions |
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b. 245
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The chord with c2 is most probably a result of an oversight of the composer, which is confirmed by the added – probably by Chopin – in FE3 (→FE4). category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
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b. 264
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The comparison with analogous motifs in a few places of Scherzo proves that the missing g2 note on the last crotchet is almost certainly a mistake of the copyist. category imprint: Differences between sources issues: Errors of GC |
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b. 275
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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EE1 has erroneously g instead of a as the inner note of the last L.H. chord. The mistake was corrected in EE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |