Issues : EE inaccuracies
b. 15-16
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In bar 16, the first in a new line, in FE (→EE) there is no ending of the slur started in bar 15, which is a patent mistake. We reconstruct the overlooked ending on the basis of analogous bars 24, 70 and 78. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC |
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b. 17-18
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The signs are only in EE, added most probably by Chopin in the base text to this edition. The sign in bar 18, having a form of an accent under the chord on the 2nd beat of the bar, is almost certainly a result of misunderstanding of the entry of Chopin – in the original graphical layout the chords in the L.H. are divided between both staves, as a result of which the written between the staves can be understood as referring to the L.H. only (similarly in bar 26). In the main text we suggest a much more likely interpretation of these signs, given in EE in the recapitulation (bars 72 and 80). category imprint: Interpretations within context; Differences between sources issues: EE inaccuracies , Authentic corrections of EE |
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b. 20
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The correct notation of the trill in the 1st half of this bar and all its repetitions – bars 28, 74 and 82 – appeared in the sources (not including pupil's copies) only several years after the publication of the Sonata, in EE2 and GE2. The mistake was committed by Chopin, who in [A] (→GC→GE1→GE2mar,→FE1→FE2→EE2) wrote the trill minim as a G (with a cautionary ). The error was noticed in the proofreading of FE3 (→FE4,FE5), however, at the time of performing the correction, another mistake was committed, by moving the note mechanically together with the preceding it flat, which resulted in an F. The correct text was marked in all pupil's copies. In EE there is also no wavy line after the trill. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Errors in EE , Errors resulting from corrections , Errors in GE , GE revisions , EE inaccuracies , Errors of A , Annotations in FES , Authentic corrections of FE , Errors of GC |
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b. 25-26
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composition: Op. 35, Sonata in B♭ minor, Mvt III
category imprint: Interpretations within context; Differences between sources issues: EE inaccuracies , Authentic corrections of EE |