b. 39-40
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Same as in bar 31, the fingering in the L.H., which may come from Chopin, was written in FESch. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FESch |
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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In GC and FE1 (→FE2→FE3→FE5) there is no before the 1st note in the R.H. This patent, from the harmonic point of view, mistake was corrected in GE, EE and FE4 (in the case of the last two editions, Chopin's proofreading cannot be excluded). A natural was added in FES too. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Annotations in FES , FE revisions , Last key signature sign , Errors of GC |
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b. 41-42
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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In the main text we add cautionary flats before e2 in bar 41 and e1 in bar 42. category imprint: Editorial revisions |
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b. 42
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The fingering numeral written in FES may come from Chopin. category imprint: Differences between sources |
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b. 42
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Both the version of GC (introduced later in GE2) and of GE1 (→GE2mar) are most probably a mistake. In the main text, we give the only correct version of FE (→EE). category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions , Errors of GC |