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b. 133-150
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composition: Op. 64 No 2, Waltz in C♯ minor
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Over the pair of minims in bars 133-134 and 149-150 in the main text we give the slurs written in A. We consider a possible proofreading of Chopin in FE (→EE) to be only an ad hoc intervention, correcting the misleading reproduction of these slurs (preserved in the majority of GE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 133-134
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composition: Op. 64 No 2, Waltz in C♯ minor
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The lack of the category imprint: Interpretations within context; Differences between sources issues: Scope of dynamic hairpins , GE revisions , EE inaccuracies , Authentic corrections of FE |
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b. 136-152
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composition: Op. 64 No 2, Waltz in C♯ minor
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A cautionary category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 136-137
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composition: Op. 64 No 2, Waltz in C♯ minor
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In the main text, we give the most certain slurs of A, as far as the sources are concerned. Omission of both slurs in GE1op and GE1no2 may mean that they were originally absent also in FE (cf. bars 138-139), in which, however, a slur in bar 137 was added in the last proofreading. The addition – perhaps coming from Chopin – certainly does not mean that bar 136 is to be devoid of a slur, in turn, it confirms the use of a new slur for bar 137 (cf. bars 8-9). The slurs added in later GE – different for each of two versions of this edition – are certainly revisions of the editors, modelled on analogous bars 8-9 (GE2op) or 152-153 (GE2no2). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 137
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composition: Op. 64 No 2, Waltz in C♯ minor
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Same as in bar 9, the absence of the category imprint: Differences between sources issues: Errors in FE |
1 in 
in 
before d
