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Op. 64 No 2, Waltz in C♯ minor

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b. 131-147

composition: Op. 64 No 2, Waltz in C♯ minor

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In the main text we add a cautionary  before f1 in bars 131 and 147. The signs were added already in #GE3no2 and GE3op.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 131

composition: Op. 64 No 2, Waltz in C♯ minor

 in A

 in FE

 in GE1op & GE1no2

 in EE, GE2op (→GE3op) & GE2no2

 suggested by the editors
..

In the main text we unify the range of the  hairpins in bars 131-132 and 135-136 on the basis of the notation of A in bar 3 and 7-8. The signs in FE begin earlier and in the remaining editions they were extended even more: in GE1op and GE1no2 on the right-hand side, in the remaining – on the left-hand side.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 131

composition: Op. 64 No 2, Waltz in C♯ minor

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FE (→EE) overlooked the  sign in this bar and GE1op also the preceding it  sign. These are certainly mistakes – cf. corresponding bar 3.

category imprint: Differences between sources

issues: Errors in FE , Errors in GE , GE revisions

b. 132

composition: Op. 64 No 2, Waltz in C♯ minor

No pedalling in A (→FE→EE,GE1op→GE2op→GE3op)

Pedalling in GE1no2 (→GE2no2

Our suggestion
..

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 132

composition: Op. 64 No 2, Waltz in C♯ minor

No slur in A (→FE→EE,GE1op,GE1no2)

Slur in GE2op (→GE3op) & GE2no2
..

The addition to the slur introduced in later GE (most probably on the basis of comparison with analogous bars 20 and 148) may be considered to be justified – see bars 4 and 20.

category imprint: Differences between sources

issues: GE revisions