Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 9, Etude in G♭ major
Sources
- Gutmann's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Another copy of #GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE2 - Corrected reprint of EE1
| Publisher: | Wessel & Co. |
| Date: | ⇒1840 |
| Title: | Douze Etudes || No. 21 |
| Dedication: | None |
Among the changes introduced in EE2 one can mention two revisions performed on the basis of comparison with FE:
-
a
sign in bar 32 was added; - the original version of the 1st half of bar 37 was introduced.
Moreover, the superfluous flats before the last semiquaver in bar 43 were deleted.
The copy presented in mUltimate Chopin comes from a later impression (1843), in which the individual title page was replaced with the cover of the Wessel & Co's Complete Collection of the Compositions of Frederic Chopin series. EE2 was then reprinted with further versions of this collective cover (completed with next Chopin pieces published by Wessel) until ca. 1858, when certain modifications were performed in the note text (see the characteristics of EE3). EE2 also includes copies of this Etude published separately. All versions of EE2 with a collective cover, as well as those published separately, are devoid of the authentic dedication.
| Original in: | Royal Academy of Music, Library, London |
| Shelf-mark: | 4 Chopin 10 (4) |