Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 3, Etude in F major
Sources
- Gutmann's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
GE1 - First German edition
| Publisher: | Breitkopf & Härtel |
| Date: | X 1837 |
| Title: | Douze Etudes || 3me Etude |
| Dedication: | Madame la Comtesse d'Agoult |
GE1 is based on GC and it generally accurately reproduces the text of the base text. The differences can be usually explained with an inaccuracy or manner of the engraver (e.g., slurs in the L.H. in bars 66-68) and editorial revisions – e.g., adding 
at the end of bars 20 and 22, numerous additions of accidentals (e.g. in bars 20-28 or 41-46), including cautionary, e.g., a 
before g
1 in bar 41 or naturals before c(1) in bars 61 and 63. Sometimes it is hard to state whether we are dealing with an inaccurate interpretation, manner or revision, e.g., in the case of staccato dots in bars 58-60 and 62-63.
In GE1 a few serious mistakes were committed – e.g., F instead of G on the 2nd quaver in bar 22, 
from bar 23 mistakenly put also in bar 22 or the overlooked in bar 58. A few errors of GC were also repeated, e.g., the superfluous 
in bar 56, or an inaccurate slur in bar 70.
| Original in: | Biblioteka Uniwersytetu Mikołaja Kopernika, Toruń |
| Shelf-mark: | IV 120/1 |