Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 25 No 3, Etude in F major
Sources
- Gutmann's Copy
- French edition
- First French edition
- Corrected reprint of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected reprint of GE1
- Flawed impression of GE1
- Second German edition
- Revised impression of GE2
- English edition
- First English edition
- Corrected reprint of EE1
- Revised impression of EE2
EE3 - Revised impression of EE2
| Publisher: | Wessel & Co. |
| Date: | ca 1858 |
| Title: | Douze Etudes || No. 15 |
| Dedication: | Mme. la Comtesse d'Agoult |
EE3 returned the overlooked in EE2 dedication, placing it over the score of the 1st page of the Etude in A
major, No. 1. Among the changes in the score, it is the additions of accidentals that prevail, both necessary (e.g., naturals lowering a
2 to a2 in bars 41-43) and cautionary (e.g., a 
before the 1st g1 in bar 41 or naturals before c1 and c in bars 61 and 63).
Some of the introduced additions, e.g., 
in bar 43 and particularly 
in bar 56 and slurs in bars 66-68, indicate that it was GE1 that was used at the time of performing the revision.
In spite of numerous additions and corrections, certain inaccuracies remained unnoticed, e.g., lack of 
lowering a3 to a3 in bar 44.
| Original in: | Trinity College Library, Dublin |
| Shelf-mark: | Prout O.69 No. 2 |