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Fingering

b. 1

composition: Op. 25 No 2, Etude in F minor

Fingering in FES

No teaching fingering

..

In the printed version Chopin did not give the fingering. In the main text, we, however, include the abundant indications in this respect, given in AW and entered during lessons into FED and FES. The complementary fingering versions are discussed in one note, whereas these that can be considered independently are included in separate notes.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 1

composition: Op. 25 No 2, Etude in F minor

Fingering in FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 1-14

composition: Op. 25 No 2, Etude in F minor

No unauthentic fingering

Fingering added in EE2 (→EE3)

..

Nothing indicates a possible, even partial authenticity of the fingering added in EE2 (→EE3). Therefore, differently than in the Etudes, Op. 10, in which the author of the fingering was Chopin's friend, Julian Fontana, we give them in italics in a smaller font.

category imprint: Differences between sources

issues: EE revisions

b. 2-3

composition: Op. 25 No 2, Etude in F minor

Fingering in FED

Fingering in FED

Our suggestion

No teaching fingering

..

The fingering digits pairs written in FED and FES complement each other.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 3

composition: Op. 25 No 2, Etude in F minor

Fingering in FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED