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Fingering

b. 3-4

composition: Op. 25 No 2, Etude in F minor

'4' written into FES

Our suggestion

No teaching fingering

..

In the main text we list the complementary fingering versions written in different sources in this bar and its subsequent repetitions:

  • '1' written into AW in bar 53,
  • '4' written into FES,
  • '3' written into FES in bar 54

(cf. General Editorial Principlesp. 17).

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FES

b. 5-6

composition: Op. 25 No 2, Etude in F minor

Fingering in AW in bars 55-56

No teaching fingering

..

Cf. General Editorial Principlesp. 17.

category imprint: Editorial revisions

b. 6-7

composition: Op. 25 No 2, Etude in F minor

'1' written into FED

Fingering in AW in bars 56-57

No teaching fingering

..

Cf. General Editorial Principlesp. 17.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FED

b. 7

composition: Op. 25 No 2, Etude in F minor

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 8

composition: Op. 25 No 2, Etude in F minor

'2 1' written into FED

'4 3' written into FES

Our suggestion

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES