Pitch
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b. 63
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composition: Op. 25 No 2, Etude in F minor
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In AW the first crotchet was originally an a2, which Chopin changed to b category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Enharmonic corrections |
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b. 67
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composition: Op. 25 No 2, Etude in F minor
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The visible in FED pencilled entry of Chopin (8 3a and a line over the descending scale, creating a kind of an octave sign) constitutes, according to us, a variant in which the indicated scale figuration fragment is to be extended by an octave – ottava terza, as this entry is to be deciphered, probably signalises that the sequence of quavers, in the printed version filling generally the two-line octave, is supposed to include the three-line octave too). Chopin would often write this kind of scale or passage figuration extensions in pupils' copies, e.g., in the Concerto in E Op. 11, mvt II, bar 58-59, Nocturne in F category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
2. At the same time, the consequences of the change were not checked – there was still a 
before the 2nd quaver (a
2), superfluous in the new situation, while b
minor, Op. 48 No. 2, bars 113-114, Nocturne in E major, Op. 62 No. 2, bars 68-69, or Waltz in A- « Previous
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