mUltimate Chopin

Op. 25 No 2, Etude in F minor

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Pedalling

b. 31

composition: Op. 25 No 2, Etude in F minor

No pedalling in the sources

Our variant suggestion
..

In the main text we suggest to complete the pedalling after a possible Chopin proofreading of FE in analogous bar 12.

category imprint: Editorial revisions

issues: Omitted correction of an analogous place

b. 32

composition: Op. 25 No 2, Etude in F minor

No markings in AW & CDP

Pedalling in GC (→GE), FE & EE
..

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

b. 35-36

composition: Op. 25 No 2, Etude in F minor

No markings in AW & CDP

Pedalling in bar 35 in GC (→GE) & EE

Pedalling in bars 35-36 in FE
..  

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 37-38

composition: Op. 25 No 2, Etude in F minor

No markings in AW & CDP

Pedalling in GC (→GE), FE & EE
..

Lack of pedalling in AW and CDP suggests it having been added by Chopin at the time of developing manuscripts intended for base texts to the editions. This hypothesis is confirmed by Chopin's hand visible in an entry in GC. Similarly in bars 41-42.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

b. 39-40

composition: Op. 25 No 2, Etude in F minor

No markings in AW & CDP

Pedalling in bar 39 in GC (→GE) & EE

Pedalling in bars 39-40 in FE
..

Same as in bars 16-17 and 35-36, in the main text we give the pedalling of FE, which may be a result of Chopin's proofreading.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE , Authentic corrections in GC