b. 16
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composition: Op. 25 No 1, Etude in A♭ major
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In GE1 (→GE1a) the undeniable long accent of A was reproduced as short. In the second German edition (GE2 and GE3), the sign was slightly extended, hence we assume that the edition includes a long accent, in accordance with A. It is hard to state to what an extent the hairpins visible in EE faithfully reproduce a message from Chopin, therefore, in the main text we adopt the accent written in A. category imprint: Differences between sources issues: Long accents |
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b. 17
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composition: Op. 25 No 1, Etude in A♭ major
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The pedal change in this place is an improvement introduced at the stage of preparing the piece for print. Similarly in bar 19. category imprint: Differences between sources; Corrections & alterations |
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b. 17-18
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composition: Op. 25 No 1, Etude in A♭ major
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The shorter slurs of AI is undoubtedly the original version. category imprint: Differences between sources; Corrections & alterations |
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b. 17
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we give the version with d1, present in the majority of the sources, including in A. The version of FE could be a result of Chopin's proofreading, however, one cannot exclude a mistake of the engraver or copyist. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Authentic corrections of FE |
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b. 17
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we add cautionary before d2. category imprint: Editorial revisions |