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Op. 26 No 2, Polonaise in E♭ minor

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b. 34-36

composition: Op. 26 No 2, Polonaise in E♭ minor

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A has no  rising c1 to c1 in bars 34 and 36. The obvious inaccuracy of Chopin's notation was corrected in FE (→GE1) in bar 36, and in the remaining editions in both bars.

Instances of omitted essential naturals next to notes C in different octaves occur in A repeatedly in the whole section (bars 33-40).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Cautionary accidentals , Omission of current key accidentals , FE revisions , Last key signature sign , Inaccuracies in A

b. 34

composition: Op. 26 No 2, Polonaise in E♭ minor

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GE2 (→GE3→GE4) and EE2 added superflous cautionary flats next to g in the L.H. and g1-g2 in the R.H. Similarly in bar 138.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Cautionary accidentals

b. 35

composition: Op. 26 No 2, Polonaise in E♭ minor

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All sources display an unfounded (cautionary?)  next to g3. GE2 (→GE3→GE4) and EE2 added yet another  next to g in the L.H.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions

b. 35

composition: Op. 26 No 2, Polonaise in E♭ minor

..

A has no  rising c to c. The gap was filled in already in FE1. In all sources a  is superfluously repeated next to the demisemiquaver c2; A and EE also have  next to c1 at the end of the arpeggio.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , FE revisions , Last key signature sign

b. 36

composition: Op. 26 No 2, Polonaise in E♭ minor

..

A (→FE→GE) has flats (cautionary?) next to the g1-g2 octave. EE omitted (deleted?) the signs, while GE2 (→GE3→GE4) added an extra  next to g in the L.H.

category imprint: Differences between sources

issues: EE revisions , GE revisions