Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 26 No 2, Polonaise in E♭ minor
A has no 
rising c
to c. The gap was filled in already in FE1. In all sources a is superfluously repeated next to the demisemiquaver c2; A and EE also have next to c1 at the end of the arpeggio.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, FE revisions, Last key signature sign
notation: Pitch
