Pitch
b. 137
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 33, in the ninth chord in the L.H. at the beginning of the bar Chopin deleted F in the FES pupil's copy. The facilitation can be considered to be a variant for a small hand. category imprint: Source & stylistic information |
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b. 138
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 34, GE2 (→GE3→GE4) and EE2 added cautionary flats next to g in the L.H. and g1-g2 in the R.H. category imprint: Differences between sources issues: GE revisions |
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b. 141
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 37 A has no accidentals before the first quaver. The sharps necessary to indicate notes c, c1, c2 were not written by Chopin until the last semiquaver in the bar, and only in the R.H. The editions filled in the essential signs and GE2 (→GE3→GE4) and EE2 added an extra before c at the end of the bar. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Omission of current key accidentals , FE revisions |
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b. 142
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composition: Op. 26 No 2, Polonaise in E♭ minor
category imprint: Differences between sources issues: GE revisions |
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b. 142
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 38, in A there are no accidentals before the 1st quaver on the 3rd beat of the bar. However, this time FE (→GE1,EE1) repeated the erroneous version without any changes. The necessary naturals were added in GE2 (→GE3→GE4) and EE2, yet only in GE the unnecessary in this situation before the top note (c) of the last semiquaver in the L.H. was removed. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Omission of current key accidentals |