Pitch
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b. 82
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composition: Op. 26 No 2, Polonaise in E♭ minor
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GE2 (→GE3→GE4) arbitrarily added staccato dots over and under the 1st chord embraced with the phrasing slur. Similarly in bars 90 and 98. category imprint: Differences between sources issues: GE revisions |
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b. 83
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 84-85
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In A one can see traces of changes in the way of combining bars 84-85 – initially bar 84 ended with a quaver and a rest, as in bar 76. Chopin then deleted the quaver flags and rests (in both hands) and extended the slur. The changes were introduced in the proofreading of FE1 – adding f category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE |
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b. 90-98
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the main text we add cautionary naturals before e1 in bars 90 and 98. The signs were introduced in GE4. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 90-98
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In bars 90 and 98 GE2 (→GE3→GE4) arbitrarily added staccato dots over and under the 1st chord embraced with a phrasing slur. category imprint: Differences between sources issues: GE revisions |
next to g
in the L.H. The addition was performed also in 
